
The FREE Monthly Preset Club
Tom Wolfe’s Synth Vault is a monthly membership where members get new FREE Omnisphere presets every single month! No hidden costs, just login each month and download the latest brand new presets to spark that creative fire. You’ll also have access to free presets for other synths and sound design tutorials, so you can learn how to create your own presets.
IN THE VAULT
FREE OMNISPHERE PRESETS
Each month you’ll receive 5 brand new presets for Spectrasonics Omnisphere for free!
IN THE VAULT
SOUND DESIGN TUTORIALS
Use the presets to improve your sound design skills! Each month I take two of the free presets and deconstruct them on video, showing you exactly how they were made!
WHAT YOU'LL GET
Here’s what you’ll get every month – for completely free!
IN THE VAULT
FREE OMNISPHERE PRESETS
Every month you’ll get 5 free Omnisphere presets to use in your tracks. Presets will be in a range of styles and genres, but they’ll always be diverse.


IN THE VAULT
FREE TUTORIALS
As well as receiving these killer presets for completely free, I’ll also be deconstructing two of the presets every month to show you how I created them. You can then watch the tutorial, deconstruct the preset yourself and improve your sound design skills!
ALSO INCLUDES...

IN THE VAULT
FREE PIGMENTS PRESETS

IN THE VAULT
FREE U-HE PRESETS

IN THE VAULT
FREE WILDCARD PRESETS
Who the f**k is Tom Wolfe?
Tom Wolfe is a British sound designer. Also an award-winning independent film composer, Tom is a prolific voice in the synthesizer preset world and, through his store tomwolfe.co.uk, has released soundbanks for some of the biggest and most popular software synthesisers and effects plugins on the market.
With his presets being celebrated for their uniqueness, creativity and usability by users and critics alike, Tom has worked with a number of industry-leading companies including Arturia, Kilohearts and G-Force Software. His sounds have been used by Oscar-winning film composers, Grammy-winning record producers and AAA game composers.
